AUTHENTIC CONCERT-LIKE IMMERSION
A Much More Realistic Sound Dispersion Pattern
Not just mimicking the real thing in a tightly controlled listening position.
Music emanates from the performers in a complex dispersion pattern based on location and type of instrument (including the human voice).
With regular stereo production the classic isosceles triangle has been the defining paradigm since stereophonic sound technology was invented in the 1930s by British engineer Alan Blumlein (while working at EMI).
While the effect - under ideal conditions - is vastly superior to mono reproduction, it is also highly restrictive. There is only one real 'sweet spot'.
Muraudio's groundbreaking Continuous Curve ESL-panel technology frees the listener(s) from this limitation - and adds an entirely new understanding of how sound can be experienced.
“And the [Muraudios] cast the broadest, deepest soundstage ever in my room . . .”
Doug Schneider, SoundStage!
“. . . there wasn't a bad seat in the house. . .”
Art Dudley, Stereophile
Another Dimension To Natural Sound
The added dimension of being able to enjoy a performance in the way it is experienced in a live setting reveals a previously unknown layer to what is encoded in the recording.
Like in a physical concert, sitting off-center does not diminish the performance. This is what a more natural sound dispersion pattern means for the listener.
Instead 0f being forced to focus attention on the speaker closest to oneself - even if slightly off-center - there is no disintegration of the three-dimensional soundstage and the speakers no longer are the focal point: the performance itself stays front and center.
It is this added dimension that leads to a surprising aural effect - a multiplier of sorts, where the additional facet of a truly natural sound dispersion pattern triggers an additional familiarity, a natural way of listening - as one indeed would find if music is performed live.
The cliché of the 'disappearing speakers' is realized like in a way that has never been possible previously - solely through the pioneering technology inherent in every Muraudio loudspeaker.
This additional realism is achieved not simply through either the concept of omni-directionality or electrostatic technology: it is through the one-of-a kind implementation of both concepts, stemming from an entirely original idea - which has been perfected through extensive research and experimentation.
"Starting with the best. No, I mean the very best. That I’ve ever heard. . . I don’t think I’ve ever in my life heard musicians playing in front of me more realistically . . ."
Noam Bronstein, Wall of Sound
". . . one of the all-time triumphs of speaker design. The goals that were envisioned are so nearly perfectly accomplished that one is stunned with admiration and, for me, musical pleasure."
Robert E. Greene, The Absolute Sound
The Last Piece Of The Puzzle:
A Truly Authentic Immersive Experience
A limitation that was previously thought impossible to overcome has thus been lifted via an approach that never bothered with the status-quo, but examined the physics of sound reproduction from the ground up.
SIMPLY 'BE THERE' LIKE NEVER BEFORE.
